This week's prompt is Moon Island, which I used for another long-lines exercise. Again, I've done it as an image; click it to bring it up larger.
Below the cut, the poem in text, with broken lines:
This week's prompt is Moon Island, which I used for another long-lines exercise. Again, I've done it as an image; click it to bring it up larger.
Below the cut, the poem in text, with broken lines:
Once again, the lines are too long for the format, so I've done it as an image (click to bring it up larger.) The text, with broken lines, is below the cut:
This week was "a novel prompt": Make a list of 10 or so words - the final words from chapters of a book of your choice - and then write a 10- to 20-line poem using those words.
My words: you, release, today, transformation, asleep, anymore, language, grace, rest, religion, here, palm, from Eat, Pray, Love: One Woman's Search for Everything Across Italy, India and Indonesia.
I'm also, as you can see, still playing with line lengths.
This week's prompt is Birds and Bonds, which I used for another long-lines exercise. Again, I've done it as an image; click it to bring it up larger.
Below the cut, the poem in text, with broken lines. Oh, and -- forgot to mention -- I have another Raven poem, which will be published in a book about ravens, soon to come from Rio Nuevo Publishers.
Here in the North
we turn toward deeper
darkness. Tonight's thin moonhides itself in clouds
withholding snow. Our stars
are curtained. No light fallson my skin. It does not
touch me. I cannot
feel it. I lie aloneon this high, hard bed.
Night follows night.
I watch for the moonout these frosted windows,
listen to the silence
of winter. Trains pass by,their rattling wheels, their
mournful call, taking someone
somewhere. Where are you?Do you see this moon
in your strange sky?
Can you name the stars?
This week's prompt was a road sign:
THIS IS NOT
STATE ROUTE 95
The prompt this week is Places.
this room
this cozy domestic room
modeled on the victorian
modeled on the englishwith its comfort and its ornament
its signs and sighs of lives &
loves in other lands
the green and yellow paintingsthe landscapes the portraits
the blue and white china
the red country toile
bone and silver and ivoryunder glass with tattered books
books open on their bellies
backs broken and worn in
worn outthe garden with its curves
with its rocky beds
sleeping now waiting
for winter with its cold windthis room its french loveseat
its fringed cushions its cats
its lap dogs the round fish bowl
awaiting a new fish a blackgoldfish perhaps a moore
appropriately victorian
appropriately modest &
flamboyant at once this roomwith its bentwood boxes
memorabilia of another
people the people smothered
slowly murdered by blanketsand all this domesticity this
room with its old woman
its modern conveniences
its four white walls
the string has broken
i pick up the beads
of my lifethey are dissonant
discordant
there is no harmony herewas there ever a pattern?
some have fallen
into the gratei'll never retrieve them
they are rolling down
a long culvertit is dark here, unnavigable
i am lost
listen, the beads are rattlingpick up this one, this one
place them on the paper
one, then another. another.these words on this page.
one, then another. another.
was there ever a pattern?these poems fall through
the grate, they roll down
a long culvertthey rattle against the dark
the garden
is buried
in leavesand so
am I
Enjoy your All Hallows Eve --
This day is too gray
for profundity. I woke
to roofers hammering,
shingles flying past
my window; both dogsquietly asleep, pressed
against my knees.
The birches are a shower
of gold, with a few
withered brown leaves,holding, holding on.
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